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Building on these concepts, they added a global scale-based quantizer to Hive’s keyboard control which can also be used to modulate oscillator pitch in the musical scale of your choice – a simple way into the world of algorithmic composition, chiptune arpeggios and automated chord progression. Rectifier and Slew Limiter), chord- and scale-based quantization options and a new Sample & Hold.
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Updates to the Modulation Matrix include visual feedback on the recently introduced modifiers (e.g. The new modulators perfectly complement Hive’s existing envelopes, LFOs and sequencer – they were designed to match Hive’s core strength: Ease of use and fast workflow. Although they are basically AD-envelopes, the function generators can also be used as extra LFOs or lag generators. Surrounding the Shape Sequencer are two West Coast style Function Generators which are triggered by the keyboard gate, Shape Sequencer, LFO or any other modulation source. The basic shapes and levels, curvature and “ratchet” amounts can be individually edited. A novel 8-segment Shape Sequencer adds 4 sources for evolving modulations, per-voice envelopes, rhythms and gates.
U HE HIVE VST UPGRADE
An invaluable tool for sound designers, the new Scope module adds realtime visual feedback for the audio or up to 4 modulation sources, with freeze and zoom functions.Īt the heart of the Hive 2.0 upgrade are the new modulators. Workflow has undergone significant improvement, including extended drag & drop support for modulation assignment, with on-target editing. While the basic layout remains the same, they managed to improve readability and contrast. Six months after adding wavetable support, u-he has completed the long awaited overhaul of Hive’s user interface. PRESS RELEASE - Berlin, Germany - Hive 2.0 comes with a new interface, more modulation options, NKS support and much more.